SUI Studios – 07/02/2009

Today brought the rare privilege of being the first people to do recording in an amazing new studio in Cape Town that has taken almost two years, and a scary amount of money,  to build. SUI Studios has been  labour of love for Dan Manojlovic, who was one of the partners in the original SUI studios in Wale Street, which ceased to be in 2005. Dan makes a living importing high-end microphones, rack units and other equipment, which means that the calibre of goodies in this studio is remarkable to say the least.

An AEA A440 ribbon mic and a nice condensor whose name I forget

An AEA A440 ribbon mic and a nice condensor whose name I forget

Brady Drumkit
Brady Drumkit

One of the most impressive things here is the live room, which has been isolated to the extent that it’s basically a room within a room, resting on a slab of concrete which in turn rests on sheets of extremely dense foam rubber, which means that the room is dead quiet, even though it’s underneath a fairly busy section of Cape Town (just off Church Square).

The live room at SUI
The live room at SUI

Then there’s the gigantic mixing console in the control room, which is actually only a controller that is fully integrated with the ProTools setup – for instance if volume levels are automated within a ProTools session, the faders on the console will move accordingly.

The Sui Studios control room
The Sui Studios control room

Now i’m the first guy in the world who will argue in favour of warts-and-all home recordings as an aesthetic device, but the immensity of the privilege to record in this space, and the immaculate attention to detail that went into preparing it, is not lost on me.  SUI Studios is not yet commercially open, but should officially open its door over the next two months.


Comments

  1. Quote

    Wow! Rich, thank you for the kind words. It has indeed been a labour of love (and hate), but hearing the results on Saturday was all the reward i needed. The comfort and effortlessness of the performances was just the cherry on top. I am grateful for your patience with the teething problems we encountered. Most importantly though, it was a pleasure to have you all there. It was a dream fulfilled.

    P.S. The condensor mic is a clone of a vintage Neumann M49 manufactured by some very intelligent and wonderful people at a company in Slovakia called Flexible Audio. (aka FLEA).

  2. Quote

    Well thank you for your perseverance! I can’t wait to be back.

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